Average Reviews:
(More customer reviews)It's been a long time since I've read a book that really put me into a life I've never known, into the shoes of someone whose path I've never traveled, and into a mind that I could both relate to and not understand at all. That's what Cardboard did for me. The book is written in what feels like stream of consciousness narrative from a woman who struggles with anorexia, which leads to other pyschological and social disorders (e.g., afraid of employment, afraid of relationships with men). Parts of the narrative are written in paragraph form and other pieces are written in short chunks of what really feels like a random thought in the woman's mind. The different types of narrative mixed together perfectly matched what I imagined the main character's mind to be like. I love modern literature, and this fascinated me. This is also one of those books that is both hard to read and hard to put down. I kept getting caught up in Lucy's almost recovery and then heartbroken as she continued to falter on that path. Even though it was fiction, the story felt very real, like it was written about someone in particular or from the author's own personal experiences. And even though I personally don't have an eating disorder or suffer from any other pyschological disorders (that I know of), I could relate to Lucy's desire for control and her nervousness and fear when she sensed a loss of control. I probably wouldn't pick this book up to read again but I'm glad I read it in the first place because it was eye-opening, insightful, and definitely worth reading. 5 stars
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Cardboard: A woman left for dead is recognized as one of the most compelling portraits of an eating disorder and an outstanding example of its genre. It is also winner of the National Book Council's Award for New Writers. When we first meet Lucy she cannot understand what is wrong with her. Ashen, thin and with a thready heartbeat, she is finding it increasingly difficult to eat. The tour leader, on a tight schedule, decides she is merely homesick. And lying on her bed she is left to fend for herself. Alone in her tiny hotel room, Lucy wonders what she should do? Is she really sick or just homesick? Reluctantly, she decides to fly to an English speaking country. And to her embarrassment is taken off the plane in a wheelchair. Admitted to intensive care, Lucy is now a 'patient'. And undergoing a range of advised treatments - some harsh and ineffective, others intelligent and insightful - unknowingly enters into a dynamic and powerful struggle over the ownership of her identity, her life story.An astute observer, Lucy invites the reader to make sense of what it means to be 'ill'. To understand why eating has become so impossible. Life so impossible. And as she fleshes out her journey towards a secure, full-bodied and robust recovery demands her distress be understood. Demands it be put into her own words. Her own voice. Exquisitely written and winningly readable this novel will reach out to everyone who has struggled with the big questions: Who am? What do I want? How dangerous are my desires?"A psychological and intellectual tour de force" Liz Ferrier, Advisory Editor, m/c - a journal of media and culture"The complexity of the character Lucy's world is a tour de force of tight thinking and probing insights into the complexity of human behavior . . . she reminds me of Rodion Raskolnikov in Dostoevsky's Crime and Punishment." Michael Bailey, reviewer"One of the best novels ever to be published in Australia"Amanda Lohrey, novelist
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